Spirited and intelligent, Morayo grows up surrounded by school friends and family in busy, modern-day Ibadan, Nigeria. An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her.
Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.
Paperback, 329 pages
Published April 10th 2012 by Penguin Canada
ISBN 0143186116 (ISBN13: 9780143186113)
About the Author
from Goodreads
Town/Environment/Setting:
This story takes place in the city of Ibadan in Nigeria.
Attribution: Dassiebtekreuz at en.wikipedia |
There is a tragic event involving Morayo and her cousin Bros T which leaves her world shaken, but she recovers with the help of her aunt Morenike, who herself suffered a tragic event as a teenager.
“Run away the instant a stranger offers you a smile,” Mummy would tell us. But no one told us that sometimes evil is found much closer to home, and that those who want to harm us can have the most soothing and familiar of voices. (p.23)I loved the way this book gave me a taste of the culture and lifestyles of the people of Nigeria. There is a formality to relationships, in the way that the younger people bow down and prostrate themselves in greeting and respect to their elders. Even the way that wives and husbands refer to one another…
...while her mother laughed happily and knelt in front of her husband. “Daddy Ibeji, thank you. May you live to enjoy the fruits of your labour over these children.” (p. 137)My final word: A sweet and tragic exploration of the Nigerian culture through the eyes of a young girl growing into a woman.
Aunty Morinike had explained that the sentence carved in the plaque was a quote from Nadine Gordimer. I whispered the words under my breath: “The truth isn’t always beauty. But the hunger for it is.”
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