Copyright stands
Mailbox Monday is hosted here. I've received a few new books recently:
Reviewing for TLC Book Tours:
The #1 New York Times bestselling author’s ultimate edition of his wildly successful first novel featuring his “preferred text”—and including the special Neverwhere tale, How the Marquis Got His Coat Back.
Published in 1997, Neil Gaiman’s darkly hypnotic first novel, Neverwhere, heralded the arrival of this major talent and became a touchstone of urban fantasy. Over the years, a number of versions were produced both in the U.S. and the U.K. Now, this author’s preferred edition of his classic novel reconciles these versions and reinstates a number of scenes cut from the original published books.
Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he is plunged through the cracks of reality into a world of shadows and darkness—the Neverwhere. If he is ever to return to the London Above, Richard must join the battle to save this strange underworld kingdom from the malevolence that means to destroy it.
Won through LibraryThing:
Here are Afghan women in their own words. Words that are by turns inspiring, moving, courageous, and heartbreaking. Their powerful stories create a compelling portrait of the lives, struggles, and successes of this extraordinary nation and its extraordinarily resilient women. With an introduction by Laura Bush, honorary founding co-chair of the U.S.-Afghan Women’s Council.
Afghanistan has been described as “the worst nation in the world to be a woman.” More than fifty percent of girls who are forced into marriage are sixteen or younger. Too many women live in fear and in many areas, education and employment for women are still condemned. The women featured in We Are Afghan Women are fighting to change all that. From rug weavers to domestic violence counselors to business owners, educators, and activists, these courageous women are charting a new path for themselves, their families, their communities, and their nation. Told in their own voices, their stories vividly capture a country undone by decades of war and now struggling to build a lasting peace.
Meet Dr. Sakena Yacoobi, who ran underground schools for girls until the Taliban fell, and today has established educational centers across Afghanistan to teach women and girls basic literacy. Or Freshta Hazeq, who as a female business owner, has faced death threats, sabotage, and even kidnapping threats against her children. Naheed Farid is the youngest female member of Afghanistan’s parliament. During her campaign, opponents cut Naheed’s face out of campaign posters and her family risked complete ruin, but her husband and father-in-law never wavered, encouraging her to persevere. Here, too are compassionate women such as Masooma Jafari, who started a national midwives association. Her own mother was forced into marriage at age twelve and gave birth to her first child at age thirteen.
With an introduction by former First Lady Laura Bush, We Are Afghan Women chronicles the lives of young and old, daughters and mothers, educated, and those who are still learning. These determined women are defying the odds to lead Afghanistan to a better future. Their stories are a stark reminder that in some corners of the world the struggle continues and that women’s progress in society, business, and politics cannot be taken for granted. Their eloquent words challenge all of us to answer: What does it truly mean to be a woman in the twenty-first century?
The American West is bestselling author Larry Watson’s forte, and in this, his tenth novel, he has created his most vivid, genuine antihero yet in Calvin Sidey, a man stuck in a myth.
Calvin Sidey, steely, hardened, with his own personal code, is one of the last cowboys. It’s the 1960s, and he’s living off the grid in a trailer on the prairie when his adult son, Bill, seeks his help. A mostly absentee father and grandfather, Calvin nevertheless agrees to stay with his grandchildren for a week. He decamps for his son’s house in the small town where he once was a mythic figure, and soon enough problems arise: a boy’s attentions to seventeen-year-old Ann are increasingly aggressive, and a group of reckless kids portend danger for eleven-year-old Will. Calvin only knows one way to solve a problem: the Old West way, in which ultimatums are issued and your gun is always loaded.
In the changing culture of the 1960s, Calvin isn’t just a relic; he’s a wild card. At the same time, his old-school ways exert a powerful effect on those around him, from the widowed neighbor, Beverly Lodge, who feels herself falling for him and wants to be part of his life, to his grandchildren. Ann and Will see in their grandfather a man who brings a sudden, if shocking, order to their lives, as Calvin terrorizes those who have often terrorized them.
With the crisp, restrained prose for which Larry Watson is revered, As Good as Gone is a story of a man increasingly at odds with the world. This is Larry Watson at his best.
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